News

What’s New at The New School for Music Study: Celebrating 65 Years of Music, Learning, and Community



The New School for Music Study.

For 65 years, The New School for Music Study (NSMS), a cornerstone of The Frances Clark Center’s mission, has served as a national leader in piano education. Founded on the educational philosophy of Frances Clark—whose work profoundly shaped twentieth-century music education—NSMS continues to advance the power of music-making through teaching, performance, and community engagement for students of all ages and backgrounds.

During the first half of the 65th Anniversary Academic Year, NSMS launched new teacher-education initiatives, introduced new programming, expanded its lecture recital offerings through community partnerships, and broadened performance opportunities for students across generations. Below are highlights from the first half of this milestone year.

Bringing Music into the Community

This fall, NSMS expanded its Lecture Recital Series through a new partnership with the Plainsboro Public Library, welcoming more than 80 community members across two events.

Film Scores for Solo Piano: The Music of John Williams, presented by Molly Sanford, invited audiences to explore iconic film music through live piano performance, offering insight into transcription and arrangement for solo piano. In a second program, Nathaniel Maxwell and TianYi Li brought Saint-Saëns’ Carnival of the Animals to life in an interactive four-hands performance full of movement, imagination, and learning for young listeners. Conversations are now underway to establish this partnership as ongoing programming beginning in January 2026.

Pianist Molly Sanford performs in the NSMS lecture recital series, performing transcriptions from famous movies. The image includes a slideshow with Sanford performing at a grand piano.
NSMS Faculty Pianist Molly Sanford in Recital

Faculty in Concert

The Faculty Concert Series opened with Gratitude for Our Musical Roots at Nassau Presbyterian Church. Spanning musical styles, eras, and global traditions, the program reflected the depth and diversity of NSMS faculty artistry.

Works by Bach, Mozart, Beethoven, Debussy, and Liszt appeared alongside music by Copland, Piazzolla, Scriabin, Chee, and Márquez. Highlights included Debussy’s L’isle Joyeuse, Scriabin’s virtuosic études, Mozart’s Sonata in C Major, Bach’s “Sinfonia” from the Partita in C Minor, and expressive twentieth- and twenty-first-century works such as Piazzolla’s Milonga del Ángel, Chee’s Sandpaintings, and Márquez’s Danzón No. 2. 

A Global NSMS Community

This year, parents, students, and faculty added pins to a world map displayed in the NSMS lobby, sharing where they—and their families—call home. The growing map is a powerful visual reminder of the many cultures, stories, and places connected through piano study and music education at NSMS.

Teacher Education in Action

NSMS continued to expand its commitment to teacher learning through collaborative partnerships and new initiatives. A full house gathered for My Favorite Pieces to Teach, a pedagogy event presented with APN (Advancing Professionals Network) through the New Jersey Music Teachers Association, exploring late-intermediate repertoire and practical teaching strategies.

This academic year also marked the launch of the Piano Teacher Engagement Series, a year-long program designed for piano teachers at all stages of their careers. Thirty-five teachers met biweekly to exchange ideas, reflect on teaching practice, and engage in research-informed discussion with NSMS faculty and guest presenters. Plans are already underway to continue the dialogue through the summer, extending learning and strengthening professional connections.

NSMS also launched the 2025–2026 NSMS Residency Series with a three-day residency by Dr. Susanna Garcia. Her visit included a community workshop (Start Early: Teach Two-Handed Coordination with Success); two faculty workshops on keyboard mapping, visualization, and inclusive group teaching; master classes for members of the Program for Excellence in Piano Study and adult students; and teaching observations with coaching conferences. The residency exemplified NSMS’s commitment to immersive, practice-centered professional learning.

A group of six adults including pianist Susanna Garcia standing together indoors, smiling at the camera. They stand in front of a light-colored wall with exposed wooden beams, with a piano partially visible to the side.
Susanna Garcia with participants at her master class.

Student Performances & Community Celebrations

Student performances remained central to NSMS’s anniversary year. The Ice Cream Social and Open House launched the fall with music and reflection, followed by themed recitals including Music Around the World, Spooky Sounds, and Musical Merriment. Strong participation led to expanded recital offerings and increased performances in senior living communities, creating meaningful musical connections across generations.

More than 85 NSMS students brought joy to senior living communities through performances featuring holiday favorites, classical gems, and contemporary student selections such as “Rudolph the Red-Nosed Reindeer,” “Carol of the Bells,” Burgmüller’s “Arabesque,” and music from Star Wars by John Williams. Works by Melody Bober, Catherine Rollin, and many others highlighted students of all levels and celebrated the expressive power of music.

Looking ahead, students in the Program for Excellence in Piano Study are preparing a special project—American Voices: Celebrating Heritage & Women in Music—to be presented at the Princeton Public Library in March 2026, continuing NSMS’s commitment to meaningful community engagement through performance.

Kids at The New School for Music Study proudly holding up the Autumn 2024 issue of Piano Inspires Kids magazine.

Looking Beyond Our Walls

NSMS faculty continue to contribute on a national and regional level, with multiple presentations accepted for the Music Teachers National Association National Conference 2026, addressing topics such as representation in repertoire, memory across the lifespan, and lifelong engagement with music. Faculty members have also been active as performers, clinicians, and scholars—presenting master classes, performing in several states, and publishing research papers and pedagogy materials.

Closer to home, NSMS faculty presented at the New Jersey State Music Teachers Association Conference in November 2025, offering sessions on engaging recital repertoire, inclusive pedagogical approaches, accessible programming, and leadership in piano teaching. NSMS also hosted an exhibit table featuring The Frances Clark Center that included publications and subscription information for our colleagues across the state.

A group of eight music educators standing side by side in a classroom, smiling at the camera. They wear conference badges, and a presentation screen behind them displays the words ‘New Jersey Music Teachers Association State Conference’ and ‘Thank you! Questions?’
NSMS Faculty after a presentation at the New Jersey Music Teachers Association State Conference.

Preparations are underway for the return of one of NSMS’s most iconic traditions—the Silent Film Celebration, scheduled for April 2026. This distinctive event brings together pianists of all ages and levels to perform live music to classic silent films, and it remains a cherished offering within the state of New Jersey.

What’s New—and What’s Ahead

This fall, NSMS launched new Chamber Music and Online Theory Tutoring programs, expanding flexible and collaborative learning opportunities for students. Applications will soon open for the Post-Graduate Teaching Program (2026–2027), designed to support emerging piano educators through mentorship, teaching experience, and professional project development.

Stay Connected All Year

Be part of the celebration and follow our 65th year through our website and social media to stay connected with upcoming concerts, teacher-education events, and student performances.

Learn more about teaching and professional development opportunities at The New School for Music Study by clicking here.

  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


Holiday Piano Gifts: Top Books and Resources



Build your holiday wish list with our inspiring collection of piano teaching resources! From expert repertoire guides and diverse repertoire collections to practical teaching tools and personal essays by leading educators, our publications make the perfect gift to enrich your studio and spark creativity all year long. Read below for a special code to use for 20% off the first three resources!

Inspired Piano Teaching

By Marvin Blickenstaff

Inspired Piano Teaching is filled with practical advice on teaching students at all levels. It is dedicated to keeping inspiration and artistry alive for every student in every lesson. After reading the book, teachers will feel like they have attended a multi-day workshop with Marvin. Topics range from proactive teaching, the interview, and the first lesson to technical gestures, guidelines to interpretation, and coaching a piece to performance. This is a book to be experienced, to be consumed, to be internalized—so that teachers can, in turn, pass musical and artistic concepts to students. 

Book cover featuring Marvin Blickenstaff seated at a piano, smiling warmly in a gray suit and red tie. The title reads “Inspired Piano Teaching” with his name below.

Piano Literature for Teaching and Performance

By Jane Magrath

The most comprehensive, up-to-date guide for evaluating and selecting graded piano solo literature from Baroque to Contemporary periods. This publication includes significant listings from underrepresented and women composers in addition to an enlarged contemporary collection. Each composer is given a short biography, along with musical characteristics, pedagogical considerations, and a suggested grade level for each piece. 

The book cover of Jane Magrath's Piano Literature for Teaching & Performance.

Recollections: A Pianist’s Essays on Teaching, Performing, and Living

By Robert Weirich

Recollections: A Pianist’s Essays on Teaching, Performing, and Living gathers dozens of articles Robert Weirich wrote for various music journals, including Clavier, over the last four decades. The essays are linked by new writing that is both memoir and an exploration of the place of the arts in American society. There is much here to consider about how a musician makes a life and comes to terms with both success and failure. Ultimately it is about perseverance during a time of great change and the desire for relevance. This book will appeal to the general reader who is curious about the arts. It will be of special interest to musicians young and old. The writing will certainly engage teachers, not only of the piano but anyone of a self-reflective bent. While the subject matter is music-centric, advanced knowledge of music is not required. The writing style is straightforward and personal.

Recollections: A Pianist's Essays on Teaching, Performing, and Living, Robert Weirich

Special Holiday Offer: 20% off these three essential teaching guides using code HOLIDAY. Offer does not apply to other publications listed below.

Weaving Sounds: Elementary Piano Pieces by Native and Indigenous Composers

Compiled and Edited by Connor Chee and Renata Yazzie

Weaving Sounds is a collection of beginner piano repertoire written by the vibrant and diverse voices of Native and Indigenous composers from the Diné, Mohawk, Anishinaabe, Cree, Blackfoot, Jicarilla Apache, Choctaw, and Mohican communities. Each piece is a unique expression of the composers’ cultural roots and personal artistry, offering a tapestry of sounds that are both accessible to beginners and deeply meaningful. The pieces are presented in order of progressive difficulty and include information about the composers and their communities.

Weaving Sounds Front Cover.

Dancétudes

By Thomas H. Kerr Jr., edited by Susanna Garcia and William Chapman Nyaho

Dancétudes: 7 Vignettes of Dolls and Pets is a set of seven programmatic piano solos by Thomas Henderson Kerr Jr., composed for his young daughter. Dedicated to her dolls and pets, these pieces develop technical proficiency, familiarity with contemporary idioms, and expressive artistry.

Kerr described the title as “a combination of the words ‘dance’ and ‘étude,’” explaining that he wrote them to encourage his daughter’s interest in playing. Spanning late intermediate to early advanced levels, the études explore twentieth-century styles—including impressionism, postimpressionism, modernism, and jazz—each highlighting a specific technique or musical idiom.

Dancétudes serves as a bridge to advanced impressionist and modernist works, and to works in the jazz idiom.

The cover page for Dancetudes.

Easter Monday Swagger

By Thomas H. Kerr Jr., edited by Susanna Garcia and William Chapman Nyaho

Scherzino, Easter Monday Swagger (1970) is a solo piano work by Thomas Henderson Kerr Jr. Subtitled A Fantasy “Romp” on Walk Together, Children, it offers contrasting interpretations of this African American spiritual, blending playful energy with moments of depth and reflection.

Kerr employs imitation, call-and-response, and improvisation, reflecting the performance traditions of the spiritual. By blending these elements into a fantasy-a genre of piano composition known for expressive freedom, improvisatory character, harmonic experimentation, and virtuosity-he creates a distinctive synthesis of African American and European classical elements.

Cover page for Easter Monday Swagger.

Didn’t My Lord Deliver Daniel?

By Thomas H. Kerr Jr., edited by Susanna Garcia and William Chapman Nyaho

Didn’t My Lord Deliver Daniel?: Concert Scherzo for Two Pianos, Four Hands is a set of six variations and a coda based on the Negro spiritual. Composed in 1940 by pianist and composer Thomas Henderson Kerr Jr. for his performances on the Black College Circuit during the 1940s, it is an effective showpiece for advanced pianists.

Kerr described it this way: “The piece sets forth the theme transparently and saucily then plunges into querulous, propulsive and percussive ostinato (Allegro Barbaro), with a surprise ending. After a breathing pause (for both players and listeners) comes a slow expressive section (Andante Sognando)…There are two brittle, playful variations (Scherzando) and a ‘Tempo Grandioso’ which leads to a coda which sweeps the players off the stage.”

Technique through Repertoire Books 1 & 2

Selected and Edited by Christopher Madden and Jani Parsons

Technique through Repertoire helps students develop essential technical skills by studying short excerpts from standard piano literature. Book 1 includes examples arranged in order of difficulty for students at early intermediate to intermediate levels. Book 2 includes examples arranged in order of difficulty for students at intermediate to late intermediate levels.

Technique through Repertoire Book 1 cover
Technique through Repertoire Book 2 cover

From Rote to Note

Book 1 By E.L. Lancaster and Kevin Olson

Book 2 By E.L. Lancaster and Omar Roy

From Rote to Note: Elementary Piano Pieces that Reinforce Theory and Technique contains nine pieces based on a theoretical or technical concept that students encounter at beginning levels of study. The pieces are designed to be taught from a musical map without the aid of traditional notation.

  • Allows students to move intellectually from rote to note, experiencing musical elements before relating them to notation.
  • Each piece includes an abstract that maps the piece to aid with memory and practice at home as well as traditional notation of the piece, sometimes with an optional duet accompaniment.
  • A teacher section identifies each piece’s concept, giving steps for introducing the musical map, and outlines strategies for teaching the piece by rote.
From Rote to Note cover image
From Rote to Note, Book 2 by E.L. Lancaster and Omar Roy

Questions and Answers: Practical Advice for Piano Teachers

By Frances Clark

For more than 26 years, piano teachers across the country turned first to Frances Clark’s beloved “Questions and Answers” column in Clavier magazine for practical, insightful, and inspiring teaching advice. Now, this treasured collection brings together some of her finest responses—wisdom that continues to guide and uplift teachers today.

In this indispensable volume, Clark addresses the real-world challenges of piano teaching with clarity and compassion. Topics include lesson planning, rhythm, theory, ear training, memorization, phrasing, group lessons, recitals, adult students, and transfer students—each explored with her signature warmth, humor, and experience.

Frances Clark’s writing has inspired generations of teachers to reflect, grow, and bring more joy and artistry into their teaching. Whether you are a beginning instructor or a seasoned pedagogue, this book will become a trusted companion in your studio.

Cover of “Questions and Answers” by Frances Clark, featuring her seated at a piano in a white blazer and teal blouse.

A Piano Teacher’s Legacy

By Richard Chronister

Discover the timeless wisdom of one of piano pedagogy’s most influential voices.

A Piano Teacher’s Legacy brings together the most insightful writings, lectures, and addresses from one of the great music educators of the twentieth century. For over forty years, Richard Chronister inspired generations of piano teachers—transforming how they approached music learning, student motivation, and teacher development.

Chronister’s ideas continue to shape the field today. He founded the first university degree program in piano pedagogy, co-founded the National Conference on Keyboard Pedagogy, and created Keyboard Companion magazine to connect and inspire teachers worldwide.

In this essential volume, readers will find Chronister’s thoughtful responses to questions every piano teacher asks:

  • How can I nurture a child’s natural love of music?
  • How do I teach so students keep learning, practicing, and creating?
  • What makes a truly independent learner?
  • How can I observe my students—and myself—more effectively?

Written in a clear, conversational style, Chronister’s reflections blend practical strategies with deep insight into the art and craft of teaching. His words challenge and inspire teachers to think critically, experiment, and grow.

Whether you teach in a university setting or a private studio, this book is an indispensable resource for piano teachers, music educators, and anyone passionate about developing lifelong musicians.

Cover of “A Piano Teacher’s Legacy,” showing Richard Chronister teaching a young boy at the piano.

The Success Factor: Making Practice Perfect

By Elvina Truman Pearce

The Success Factor: Making Practice Perfectis a definitive, inspiring, and practical guide for piano teachers seeking extraordinary results in teaching, practicing, and performing. Written by Elvina Truman Pearce and edited by Craig Sale, this volume blends encyclopedic pedagogical insight with down-to-earth strategies that teachers can immediately apply in their studios. Jam-packed with actionable teaching tips, it also highlights the reflections and wisdom of one of the most influential piano pedagogues of the last fifty years.

Elvina Truman Pearce studied piano with Isabelle Vengerova and pedagogy with Frances Clark. She was a founding faculty member of The New School for Music Study, one of the founders of The Frances Clark Center, Editor-in-Chief of Keyboard Companion magazine from 2000–2006, and has been actively involved with NCKP since its inception. As pianist, pedagogue, composer, and clinician, she is internationally recognized for her rare combination of excellence, creativity, and practicality.

Cover of “The Success Factor in Piano Teaching,” with bold text on a blue-to-gold background and blueprint-style graphics.

MORE FROM THE FRANCES CLARK CENTER

Not yet a subscriber? Join for only $36/yr.
  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


Piano Inspires Kids: A Sneak Peak of the Winter 2026 Issue



The Winter 2026 Issue of Piano Inspires Kids is coming soon! Subscribers will be receiving the print issue in their mailboxes in the coming weeks. Not yet a subscriber? Click here to receive the issue and give the gift of music to the musicians in your life! Keep reading for a sneak peek into the Winter Issue.

An image that says "piano inspires KIDS" with a keyboard design and a grand piano.

We’re thrilled to announce the release of the Winter 2026 issue of Piano Inspires Kids. In this issue, learn about songs without words, discover composers from around the world, and get to work on your own composition for our 2026 Composition Contest!

A sample from the Winter 2026 issue of Piano Inspires Kids. The page features information about song transcriptions composed by Villa-Lobos and Béla Bartók. QR codes allow users to hear performances of these transcriptions.

Want to learn more about Piano Inspires Kids? Watch our webinar, “Inside Piano Inspires Kids: A New Publication of the Frances Clark Center” with Co-Editors-in-Chief Sara Ernst and Andrea McAlister: click here.

  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


Janet Lopinski, Connecting Heritage, Pedagogy, and Leadership in Music | S3 E12

In this episode of the Piano Inspires Podcast, Janet Lopinski joins host, Sara Ernst, to discuss her journey as a pianist, teacher, and administrator. Lopinski reflects on her early musical experiences, experiences as a teacher, and her work with the Royal Conservatory of Music and the Canadian Chopin Society. Join us for an informative and insightful conversation with Janet Lopinski!

Foundational Pedagogy Discussion Group for Piano Teachers



Attendees interacting at The Piano Conference: NCKP.

Although a new year is right around the corner, piano teachers are in the middle of the busy academic year. Our students are juggling school, extra-curricular activities, and practicing while teachers are doing their own juggling acts—preparing for weekly lessons and student performances while also keeping their studios running smoothly. In the midst of all this activity, it is easy to set aside our own professional growth. Taking time to reflect on teaching—just as we ask our students to reflect on their own musical journey—can bring renewed focus, energy, and inspiration. This January, we invite you to take time out for yourself and join the Frances Clark Center Foundational Pedagogy Discussion Group. 

These small, discussion-based groups offer piano teachers an opportunity for support, connection, and collaboration with colleagues across the country. Together, we will engage in thoughtful dialogue and reflect on teaching today’s students: exploring motivation, designing meaningful learning experiences, and providing feedback that fosters growth. 

The January 2026 cohorts will meet online, Wednesdays at 11:00 am E.T. for three interactive sessions: 

January 14: Strategies for Effective Teaching and Learning

January 21: Communication and Motivation

January 28: Curriculum and Lesson Planning

Each sixty-minute session will explore foundational aspects of pedagogy and provide a supportive space to share ideas and experiences. Participants will develop practical strategies that can be implemented right away in the studio for a variety of students. 

In the first session, Strategies for Effective Teaching and Learning, we’ll discuss principles that promote student engagement and understanding through effective questioning and independent learning strategies. The second session, Communication and Motivation, will bring motivation theories to the studio, incorporating research in practical ways to increase student attention and engagement. The final session, Curriculum and Lesson Planning, will focus on short- and long-term goals, sequencing, and skill development. 

Group content will be based on the Foundational Pedagogy Course and available at pianoinspires.com/courses. Although course enrollment is optional, you may use code FOUNDATIONAL for 25% off if you wish to purchase. 

Whether you are a new teacher seeking guidance or an experienced teacher needing a refresh, the Foundational Pedagogy Discussion Group will offer an enriching opportunity to invest in your teaching practice. Join us this January to connect, reflect, and grow as part of a vibrant community of piano educators. 

Learn more about the Foundational Pedagogy Course by clicking here. Use code FOUNDATIONAL for 25% off your purchase of the course!

MORE ON FOUNDATIONAL PEDAGOGY

Not yet a subscriber? Join for only $7.99/mo or $36/yr.
  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


This Month in Piano History – December 2025



As we close out the year, we celebrate the birth of a famous Hispanic composer, remember one of the greatest concerts of all time, and reflect on the life of a great American composer!

A grayscale portrait of Manuel Ponce with white hair sitting at a desk, smiling slightly while holding a pen. Shelves or vertical paneling appear in the background.
Manuel Ponce

December 8 – Birth of Manuel Ponce

Born on December 8, 1882 in Fresnillo, Mexico, Manuel Ponce was one of the most famous Mexican composers of his generation. Although he wrote music for a variety of genres and instrumental forces, he is especially well known for his guitar and piano music. His piano music spans a wide range of forms including works in European genres such as the sonata, intermezzo, scherzo, and ballade. 

Looking to add more works by Latin American composers into your studio? Check out our online course, Exploring Latin American Piano Music: A Cultural Journey with Elementary through Early-Advanced Pieces. The course includes pianist Desireé González-Miller’s writing about Ponce and her teaching videos for his Intermezzo No. 1 and the 20 Piezas faciles sobre temas mexicanos. Learn more and enroll here:

December 22 – A Celebration of Beethoven

Imagine listening to a concert full of premieres of Beethoven’s music including his fifth and sixth symphonies, the Piano Concerto No. 4, and his Choral Fantasy. This is exactly what occurred in the evening of December 22, 1808 at the Theater an der Wien in Vienna, Austria. The concert, which lasted several hours long, included some of Beethoven’s finest compositions and featured Beethoven as the soloist in the performance of his piano concerto. 

Are you interested in teaching or learning more about the advanced piano sonatas of Beethoven? Watch this video by pianist and professor Andrew Cooperstock who shares tips about working on Beethoven’s Piano Sonata in F Minor, Op. 2, No. 1.

December 27 – Death of Amy Beach

The American composer Amy Beach died on December 27, 1944. Beach was the first American woman to have her symphony performed by a major orchestra. Also a phenomenal pianist, Beach performed in the United States and Europe during her life. She composed a variety of piano music including works for developing pianists and others meant to display remarkable technical facility and musical imagination.

One of Beach’s late works is her Improvisations, Op. 148. The five movements evoke different moods in a late Romantic style. Learn more about all five of the movements in this article by Asher Armstrong or discover teaching and practicing tips about the first improvisation in this video by Leonidas Lagrimas.


OTHER RESOURCES YOU MIGHT ENJOY:
Not yet a subscriber? Join for only $7.99/mo or $36/yr.
  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


Essential Holiday Gifts for Piano Teachers: Top Resources



Build your holiday wish list with our inspiring collection of piano teaching resources! From expert repertoire guides and diverse repertoire collections to practical teaching tools and personal essays by leading educators, our publications make the perfect gift to enrich your studio and spark creativity all year long.

Questions and Answers: Practical Advice for Piano Teachers

By Frances Clark

For more than 26 years, piano teachers across the country turned first to Frances Clark’s beloved “Questions and Answers” column in Clavier magazine for practical, insightful, and inspiring teaching advice. Now, this treasured collection brings together some of her finest responses—wisdom that continues to guide and uplift teachers today.

In this indispensable volume, Clark addresses the real-world challenges of piano teaching with clarity and compassion. Topics include lesson planning, rhythm, theory, ear training, memorization, phrasing, group lessons, recitals, adult students, and transfer students—each explored with her signature warmth, humor, and experience.

Frances Clark’s writing has inspired generations of teachers to reflect, grow, and bring more joy and artistry into their teaching. Whether you are a beginning instructor or a seasoned pedagogue, this book will become a trusted companion in your studio.

Cover of “Questions and Answers” by Frances Clark, featuring her seated at a piano in a white blazer and teal blouse.

A Piano Teacher’s Legacy

By Richard Chronister

Discover the timeless wisdom of one of piano pedagogy’s most influential voices.

A Piano Teacher’s Legacy brings together the most insightful writings, lectures, and addresses from one of the great music educators of the twentieth century. For over forty years, Richard Chronister inspired generations of piano teachers—transforming how they approached music learning, student motivation, and teacher development.

Chronister’s ideas continue to shape the field today. He founded the first university degree program in piano pedagogy, co-founded the National Conference on Keyboard Pedagogy, and created Keyboard Companion magazine to connect and inspire teachers worldwide.

In this essential volume, readers will find Chronister’s thoughtful responses to questions every piano teacher asks:

  • How can I nurture a child’s natural love of music?
  • How do I teach so students keep learning, practicing, and creating?
  • What makes a truly independent learner?
  • How can I observe my students—and myself—more effectively?

Written in a clear, conversational style, Chronister’s reflections blend practical strategies with deep insight into the art and craft of teaching. His words challenge and inspire teachers to think critically, experiment, and grow.

Whether you teach in a university setting or a private studio, this book is an indispensable resource for piano teachers, music educators, and anyone passionate about developing lifelong musicians.

Cover of “A Piano Teacher’s Legacy,” showing Richard Chronister teaching a young boy at the piano.

The Success Factor: Making Practice Perfect

By Elvina Truman Pearce

The Success Factor: Making Practice Perfectis a definitive, inspiring, and practical guide for piano teachers seeking extraordinary results in teaching, practicing, and performing. Written by Elvina Truman Pearce and edited by Craig Sale, this volume blends encyclopedic pedagogical insight with down-to-earth strategies that teachers can immediately apply in their studios. Jam-packed with actionable teaching tips, it also highlights the reflections and wisdom of one of the most influential piano pedagogues of the last fifty years.

Elvina Truman Pearce studied piano with Isabelle Vengerova and pedagogy with Frances Clark. She was a founding faculty member of The New School for Music Study, one of the founders of The Frances Clark Center, Editor-in-Chief of Keyboard Companion magazine from 2000–2006, and has been actively involved with NCKP since its inception. As pianist, pedagogue, composer, and clinician, she is internationally recognized for her rare combination of excellence, creativity, and practicality.

Cover of “The Success Factor in Piano Teaching,” with bold text on a blue-to-gold background and blueprint-style graphics.

MORE FROM THE FRANCES CLARK CENTER

Not yet a subscriber? Join for only $36/yr.
  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


Jody Kerchner, Inspiring Student Voice and Creative Music-Making | S3 E11

Join host Andrea McAlister as she interviews educator Jody Kerchner on the latest episode of the Piano Inspires Podcast. Kerchner shares stories from her early years as a music student and offers insights into her current work as an educator, including her role as founder and conductor of Oberlin at Grafton—a prison choir at Grafton Correctional Facility. Listen now to hear Kerchner’s inspiring thoughts on artistic citizenship and the importance of community in music-making.

Support The Frances Clark Center This Giving Tuesday 2025



Kids at The New School for Music Study proudly holding up the Autumn 2024 issue of Piano Inspires Kids magazine.

#Giving Tuesday is a day to celebrate our dedicated community through shared mission and purpose as we continue to transform lives through the power of music. The Frances Clark Center is grateful to serve and support our community as we advance the profession together. We appreciate all your support. 

Today, people around the world will come together to give. We invite you to join us in supporting The Frances Clark Center and helping us continue our mission to inspire, teach, connect, and support music makers of all ages everywhere.

Across our community, individuals share how deeply this work shapes lives:

“Following its mission and commitment to support piano teachers, The Frances Clark Center offers a wide variety of projects and initiatives that enrich best practices in piano teaching. As such it has been my pleasure to support the Center in this worthy quest.” – Jane Magrath

“I give financially to The Frances Clark Center because it is the only organization globally that fully invests, equips, and empowers piano teachers in their life giving work. By investing in piano teachers we have the power to change lives, one student at a time!” – Chee-Hwa Tan

“It is a joy for me to financially support the mission of The France Clark Center with its long and rich legacy of excellence and powerful vision to shape the future of piano teaching.” – Sonnet Johnson

“It has been such a joy to see The Frances Clark Center continue to grow and become such an important pedagogical vehicle for teachers of all ages around the world. Making a financial contribution to this amazing organization is ‘money well spent.’ It is my honor to belong to and to contribute to this outstanding organization.”  – Gail Berenson

“I feel great satisfaction when I am able to help support this dynamic organization with my own charitable giving. The Frances Clark Center has changed my life and the lives of my students, and it continues to impact teachers and students globally. I can think of no organization more deserving” – Craig Sale

Every level of support is deeply appreciated and essential for our sustainability.  Thank you for your consideration and from everyone at The Frances Clark Center, we wish you the best for the holiday season and the new year ahead.

MORE ON THE POWER OF A PIANO TEACHER

Not yet a subscriber? Join for only $36/yr.
  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


Piano Technique Books for Students: Holiday Gifts for 2025



Build your holiday wish list with our inspiring collection of piano teaching resources! From expert repertoire guides and diverse repertoire collections to practical teaching tools and personal essays by leading educators, our publications make the perfect gift to enrich your studio and spark creativity all year long.

Technique through Repertoire Books 1 & 2

Selected and Edited by Christopher Madden and Jani Parsons

Technique through Repertoire helps students develop essential technical skills by studying short excerpts from standard piano literature. Book 1 includes examples arranged in order of difficulty for students at early intermediate to intermediate levels. Book 2 includes examples arranged in order of difficulty for students at intermediate to late intermediate levels.

Technique through Repertoire Book 1 cover
Technique through Repertoire Book 2 cover

From Rote to Note

Book 1 By E.L. Lancaster and Kevin Olson

Book 2 By E.L. Lancaster and Omar Roy

From Rote to Note: Elementary Piano Pieces that Reinforce Theory and Technique contains nine pieces based on a theoretical or technical concept that students encounter at beginning levels of study. The pieces are designed to be taught from a musical map without the aid of traditional notation.

  • Allows students to move intellectually from rote to note, experiencing musical elements before relating them to notation.
  • Each piece includes an abstract that maps the piece to aid with memory and practice at home as well as traditional notation of the piece, sometimes with an optional duet accompaniment.
  • A teacher section identifies each piece’s concept, giving steps for introducing the musical map, and outlines strategies for teaching the piece by rote.
From Rote to Note cover image
From Rote to Note, Book 2 by E.L. Lancaster and Omar Roy

MORE FROM THE FRANCES CLARK CENTER

Not yet a subscriber? Join for only $36/yr.
  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


Countdown to Giving Tuesday 2025



The New School for Music Study pictured on an early spring day.
The New School for Music Study

We’re filled with gratitude for the vibrant community that makes The Frances Clark Center possible.

As Giving Tuesday approaches, we invite you to celebrate the power of music and piano teaching to inspire and transform lives. Piano inspires the next generation. Together, through every note and every lesson, we can make the world a better place.

Your gift to the Frances Clark Center helps sustain our mission and ensures that music continues for generations to come.

MORE ON THE POWER OF A PIANO TEACHER

Not yet a subscriber? Join for only $36/yr.
  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


John Ellis, Creating Space for Students to Discover Their Passions | S3 E10

In this episode of the Piano Inspires Podcast, John Ellis joins host Leah Claiborne to discuss his journey from childhood piano lessons to a dynamic career as a musician and educator. Ellis shares how his passion for music evolved into a lifelong commitment to teaching and mentoring the next generation of artists. Tune in to learn more about Ellis’s inspiring achievements!

Honor a Piano Teacher: Power of a Piano Teacher Campaign



Kids at The New School for Music Study proudly holding up the Autumn 2024 issue of Piano Inspires Kids magazine.

The teachers featured here are making profound contributions to students at all stages, from the youngest beginners to college students, and to those who study later in life. These inspirational, personal stories testify to the timeless impact piano teachers have on their students and their communities.

We invite you to celebrate the piano teachers who have shaped your life. The Power of a Piano Teacher campaign honors those remarkable mentors whose influence extends far beyond music, inspiring creativity, confidence, and lifelong joy. 

When you share a tribute and donate to The Frances Clark Center, your teacher will receive a digital certificate of recognition, and their name will be placed on our website alongside others who have made a lasting difference in their students’ lives.

From the youngest beginner to those who discovered piano later in life, these stories remind us of the timeless impact of a dedicated teacher.

Join us by honoring your teacher today through the Power of a Piano Teacher campaign.

Alex Marrero honors Vladimir Feltsman

I am honoring Maestro Vladimir Feltsman as a tribute to all of his service as a University Professor for The College at New Paltz. I was most fortunate to perform in Applied Music, Master Classes, and Piano Literature for him in the late 1980s and the early 1990s, as I was completing a Bachelor of Science Degree in Music History. Although all of his pupils were more advanced than I was, he always encouraged me. As a result of his help, I was able to complete a Master of Arts Degree in Music Education through Teachers College of Columbia University.

Sally Goldfarb honors Margie Nelson

Margie Nelson has taught our son, who has special needs, for more than fifteen years. During that time, she has sparked and nurtured his love of music while patiently and gently pushing him to develop his skills and do his best. Her faith in him has never wavered, and it has been wonderful to watch the progress he has made with her guidance and support. She is a superb teacher and we are deeply grateful to her for enriching his life.

Carla Salas-Ruiz poses for a headshot at the piano.
Carla Salas-Ruiz

Anonymous honors Carla Salas-Ruiz

Dr. Salas-Ruiz is a gift to young musicians everywhere. Her wonderful imagination and limitless joy for music and passing this passion on to young people make her very special indeed. Thank you to Dr. Salas-Ruiz and all the fantastic teachers at NSMS.


“Teaching is probably the noblest profession in the world—the most unselfish, difficult, and honorable profession.” 

– Leonard Bernstein

MORE ON THE POWER OF A PIANO TEACHER

Not yet a subscriber? Join for only $36/yr.
  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


5 Key Elements of Foundational Piano Pedagogy



1. Teachers should use words that are relevant and efficient while considering other powerful ways to communicate. 

Teachers use words to teach concepts, praise students, and offer feedback. Words used to give praise and feedback should focus on the music–how it sounds, looks, and feels, rather than the student’s personal ability. Specific, sincere, and descriptive words are more memorable than a vague “good.” Change “should” statements into “could” statements and offer open-ended questions to help students explore and learn for themselves. In teaching concepts, the fewer and more specific words the better. Consider how you might teach without words–a demonstration, a light touch, or physical gestures. Always remember as Frances Clark taught, “Teaching is not telling.” 

2. Create your own comprehensive curriculum using method books and other resources only as tools.

Effective teaching in the elementary years requires establishing a strong foundational curriculum to ensure successful, lifelong music-making. While method books and graded repertoire collections provide materials, a teacher’s unique curriculum lies in their sequencing of fundamental objectives underneath the music. In creating a core curriculum, consider elements of music such as fluent and free technique, ease in reading notation, stable pulse and rhythmic vitality, personal creativity, effective practice methods, and love of music with commitment to growth. Later principles build upon earlier learning to build high levels of comprehension and retention. 

3. Provide opportunities for students to experience concepts.

Students learn best when they encounter a concept through experience rather than being lectured. Teachers should prepare students for new concepts with activities to help them hear and feel them first. For example, students can hear/see a staccato performed then feel it in their own hands before learning its name and symbol. Consider activities away from the bench and using improvisation to naturally experience concepts. Remember this experiential approach with “Sound, Feel, Sign, Name.”  “Easy teaching”–flipping the method book page and telling students what it teaches–does not lead to lasting comprehension.

4. Students provide their own motivation; teachers carefully foster it.

Understanding student motivation is critical for music educators, as it drives a student’s desire, persistence, intensity, and self-evaluation while learning an instrument. Motivation is integral to helping students develop adaptive behaviors and achieve personal goals. To better understand student drive, consider these five motivational theories:

  1. Expectancy Value Theory: Explores the alignment of student/teacher goals and the balance of intrinsic/extrinsic motivation.
  2. Self-Efficacy Theory: Focuses on a student’s belief in their own abilities, which teachers can build through achievable opportunities.
  3. Flow Theory: Suggests optimal motivation occurs when task difficulty and student skill are appropriately balanced.
  4. Attribution Theory: Addresses the reasons students give for their success and failure.
  5. Mastery Motivational Patterns: Explains a student’s persistence through difficulties due to setting achievable goals.

5. Keep lessons focused on beauty and musical expression.

As D.H. Lawrence said, “The human soul needs beauty more than bread.” Make musical expression the primary focus of every lesson. Teachers must passionately model this beauty, not forcing appreciation but sharing their own excitement. Consider the following ideas to keep lessons focused on beauty and avoid getting bogged down. 

  • Model beautiful, powerful, and poignant sounds; expose the student to a new sound world they will desire to recreate. 
  • Encourage composition to personalize the sound-expression link.
  • Play duets to model rhythm and expression.
  • Provide “Musical Rules of Thumb” such as, “The last note of the phrase is the quietest” to promote independent interpretation.
  • Help students take the lesson home by summarizing or recording.
  • Maintain a file of “Beautiful Pieces” to be shared from the first lesson.

Start your new year off by refreshing your teaching and reconnecting with the core principles of great piano pedagogy! Join the Foundational Pedagogy Discussion Groups, and dive deeper into the research and practice of teaching. Led by Dr. Andrea McAlister, this three-part series is designed to spark discussion, reflection, and community among teachers of all stages of their careers. Based on the Foundational Pedagogy Course from The Frances Clark Center, these interactive sessions will explore essential topics of piano teaching and learning—no purchase or course enrollment required. To register for these study groups, please fill out the following form by January 5, 2026: https://pianoinspires.com/2026-foundational-pedagogy-discussion-groups-registration-form/.

MORE ON FOUNDATIONAL PEDAGOGY

Not yet a subscriber? Join for only $36/yr.
  • You might like…

    Piano Teaching through the Lens of Diversity, Equity, and Inclusion
    Explore DEI foundational material, diverse literature, and equitable practices.
    Read More

Want more than a preview?
Subscribe to unlock full videos, webinar archives, and articles!


Gayle Kowalchyk, A Journey of Teaching, Creativity, and Collaboration | S3 E9 

In this episode of the Piano Inspires Podcast, Gayle Kowalchyk joins host, Yeeseon Kwon, to discuss her multi-faceted career in music. Kowalchyk reflects on her educational path, her extensive experience as an independent studio teacher, and her work in publications. Join us for an engaging and inspiring conversation with Gayle Kowalchyk and Yeeseon Kwon!

Search
Piano Inspires logo featuring stylized diagonal stripes in orange, gold, and teal, next to the text 'Piano Inspires' in bold black lettering.