Piano Magazine Keyboard Companion Spring 1997; Vol. 8, No. 1

Keyboard Companion Spring 1997; Vol. 8, No. 1

Keyboard Companion Cover Spring 1997

Page numbers refer to FlipBook pages and not the printed pages in the magazine.


Page 5: The Editor’s Page

Can we expect beginners to go it alone in home practice?

Richard Chronister


Page 6: Teacher/Student/Parent

Should parents practice with their children?

Barbara Kreader with Jeanne Nelson, Katherine Glaser, and Ellen Whelan-Wuest


Page 9: The Magic Triangle PostBox

Can piano lessons come to a pleasant end?

Miriam Behnke and Nancy Kaesler


Page 12: Home Practice

How do your students practice sightplaying?

Elvina Pearce with Janet Johnson and Richard Chronister


Page 14: The Home Practice PostBox

One Fleeting Hour.

Mary Ann Saulmon


Page 16: Music Reading

Is early childhood music study for every child?

Richard Chronister with Kenneth K. Guilmartin, Elaine Harriss, and Lorna Lutz Heyge


Page 24: Technique

Piano teaching in other countries, Part II: What about piano teaching in Taiwan?

Scott McBride Smith with Jennifer Lim


Page 26: The Technique PostBox

Here I am!

Scott McBride Smith


Page 31: You and Your Piano

How much time do you spend each week preparing to teach?

Madeleine Crouch with Kathy Hammer, Robbie S. Hughes, and Kristi Lobitz


Page 33: The You and Your Piano PostBox

More hilarious moments.

Marie Asner


Page 34: Rhythm

How do you teach two-against-three?

Marvin Blickenstaff with Naomi Oliphant and Constance Kotis


Page 38: A Rhythm Postlude: Since the inception of KEYBOARD COMPANION it has been my pleasure . . .

Marvin Blickenstaff


Page 40: Motivation

How do you use exploration to confirm and solidify learning?

Joyce Cameron with Richard Chronister and Ivan Frazier


Page 44: Adult Piano Study

Do your adult students play ensembles with each other?

Brenda Dillon with Peggy Morales and Martha Heminger


Page 46: The Music Teachers’ Association of California

David Kraehenbuehl Memorial Fund


Page 48: Repertoire

It’s a long walk! How important is stage etiquette at a piano recital?

Martha Appleby with Claudette Sorel


Page 51: A Repertoire Prelude

It is with a feeling of loss and intense nostalgia . . .

Martha Appleby


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