Keyboard Companion Spring 2003; Vol. 14, No. 1
Keyboard Companion Spring 2003; Vol. 14, No. 1
view flipbook Page numbers refer to FlipBook pages and not the printed pages in the magazine. Page 5: The Editor’s Page Elvina Pearce Page 6: On the cover Page 7: Readership Survey Page 10: Teacher/Student/Parent What qualities did you value in your piano teacher? Barbara...
Keyboard Companion Winter 1994; Vol. 5, No. 4
Keyboard Companion Winter 1994; Vol. 5, No. 4
view flipbook Page numbers refer to FlipBook pages and not the printed pages in the magazine. Page 4: A Parent’s Point of View How Did You Choose the Digital Keyboard in Your Home? Elizabeth Van Ness Page 5: The Editor’s Page Saturday Morning Practice Time...
Keyboard Companion Spring 1996; Vol. 7, No. 1
Keyboard Companion Spring 1996; Vol. 7, No. 1
view flipbook Page numbers refer to FlipBook pages and not the printed pages in the magazine. Page 4: A Parent’s Point of View What musical games and activities do you use at home? Elizabeth Van Ness Page 5: The Editor’s Page Celebrating six years of...
Keyboard Companion Winter 1996; Vol. 7, No. 4
Keyboard Companion Winter 1996; Vol. 7, No. 4
view flipbook Page numbers refer to FlipBook pages and not the printed pages in the magazine. Page 5: The Editor’s Page Is there just one kind of piano recital? Richard Chronister Page 6: Teacher/Student/Parent Why did you quit piano lessons? Barbara Kreader with Claire Zabel,...
Keyboard Companion Winter 1997; Vol. 8, No. 4
Keyboard Companion Winter 1997; Vol. 8, No. 4
view flipbook Page numbers refer to FlipBook pages and not the printed pages in the magazine. Page 5: The Editor’s Page An inviting music corner Richard Chronister Page 6: Teacher/Student/Parent Are recitals necessary? Barbara Kreader with Claire, Andrew, and Anne Berthold; Christopher and Roberta Barlow;...
Keyboard Companion Summer 1998; Vol. 9, No. 2
Keyboard Companion Summer 1998; Vol. 9, No. 2
view flipbook Page numbers refer to FlipBook pages and not the printed pages in the magazine. Page 5: The Editor’s Page Richard Chronister Page 6: Teacher/Student/Parent Should siblings study in the same method? Barbara Kreader with Amy Rose, Gretchen E. Mason, and Mary Jo Lay...
Keyboard Companion Spring 1999; Vol. 10, No. 1
Keyboard Companion Spring 1999; Vol. 10, No. 1
view flipbook Page numbers refer to FlipBook pages and not the printed pages in the magazine. Page 5: The Editor’s Page The collaboration of Carol Montparker and Mary Abrams Richard Chronister Page 6: Teacher/Student/Parent Do Australian and New Zealand teachers say hemisemidemiquaver? Barbara Kreader Page...
Piano Inspires Podcast: Gail Berenson
Back to Discovery Blog Home To celebrate the latest episode of the Piano Inspires Podcast featuring Gail Berenson, we are sharing an excerpted transcript of her conversation with Alejandro Cremaschi. Want to learn more about Berenson? Check out the latest installment of the Piano Inspires...
A Master at Work: Marvin Blickenstaff
Back to Discovery Blog Home We would like to thank Gail Berenson for this tribute to Marvin Blickenstaff. As we continue the season of gratitude and giving, we pay tribute to piano teachers from around the country who are transforming the lives of their students....
A Tribute to James Lyke at Ninety: Reflections from Three Colleagues
Spring 2023; Vol. 15, No. 1
A Legacy in Piano Education and the Piano Conference By Sam Holland The original National Conference on Piano Pedagogy (NCPP), convening for the first time in 1979, was the result of a unique and powerful partnership between Richard Chronister and James Lyke. Through his writings,...
How do you deal with “stage fright” or performance anxiety?
Keyboard Companion Winter 2007; Vol. 18, No. 4
Anyone who has ever walked on stage and performed a piano solo by memory has had to deal in some way with “stage fright” or performance anxiety. I remember walking toward the piano as a child and thinking, “I don’t know the first note of...
Professional Associations: Your Indispensable Resource for Musicians’ Health Information
Spring 2021; Vol. 13, No. 1
As an eager college student majoring in piano, I felt it was a badge of honor to practice eight hours a day on the weekends. I thought I was doing what every dedicated music major was supposed to be doing. In those days there was...