This Month in Piano History – August 2024



Composer Samuel Coleridge-Taylor. Original photo found in the Library of Congress at this link: https://loc.gov/pictures/resource/cph.3c22324/.

August 8, 1857

French pianist and composer Cécile Chaminade, whose work inspired the creation of numerous women’s musical organizations, was born on this day in Paris. Her initial musical studies were with her mother, but Chaminade also studied privately with members of the Paris Conservatoire faculty after her father prohibited her official enrollment.1 Her career became established and around 1900, her numerous published compositions and rising fame led to the creation of musical organizations across the United States called “Chaminade Clubs.”2 During her subsequent tours to the U.S., she performed extensively for these clubs.3 In 1913, she was the first female composer to be awarded the Légion d’Honneur, a significant recognition for her musical contributions. She passed away on April 13, 1944 in Monte Carlo, Monaco. Chaminade was a prolific composer and wrote approximately four-hundred compositions, half of which are for the piano.4 Looking for a Chaminade piano work at the early-advanced level? Check out Chanson bretonne, Op. 76, No. 5 performed here by pianist Lynn Worcester Jones.

Pianist Lynn Worcester Jones performs Cécile Chaminade’s “Chanson bretonne,” Op. 76, No. 5.

August 15, 1875

Also celebrating a birthday in August is British composer Samuel Coleridge-Taylor, who was born on this day in London. Coleridge-Taylor studied violin and composition at the Royal College of Music.5 He was one of the first recognized Black composers of Western art music, and he inspired many Black composers in the United States with his success. Although he primarily resided in London, he toured the United States in multiple visits to conduct his works with choral societies throughout the country.6 During one of these trips, he met with President Theodore Roosevelt.7 In addition to his work as a conductor and as a musician, he served as Professor of Composition at the Guildhall School of Music and Trinity College of Music.8 One of Colerige-Taylor’s most famous piano works is his arrangement of the spiritual “Deep River” as part of his Op. 59 set, Twenty-Four Negro Melodies. Enjoy this recording by pianist William Chapman Nyaho.

Pianist William Chapman Nyaho performs Samuel Coleridge-Taylor’s “Deep River” from the Op. 59 set Twenty-Four Negro Melodies.

August 24, 1787

Violinist Michael Barenboim and his father, pianist Daniel Barenboim, perform Mozart’s Violin Sonata in A Major, K. 526.

On this day, Wolfgang Amadeus Mozart completed his Violin Sonata in A Major, K. 526. This sonata, his penultimate in the genre, was published in Vienna and contains three movements. The bustling “Molto allegro” movement in 6/8 time is in sonata-allegro form and contains exciting scalar passagework for both the violin and the piano. A highlight from this movement is the development section where imitative gestures between the piano and violin drive the musical energy to the recapitulation. The “Andante” movement follows and features the piano prominently. Despite being in D major, the minor mode is heavily emphasized in this movement beginning within the first eight bars. The “Presto” finale ends the piece with bravura from both instrumentalists. Interested in listening to this sonata? Listen to this recording by pianist Daniel Barenboim and his son, Michael Barenboim.

August 25, 1742

Carlos Seixas, a Portuguese composer primarily known for his keyboard music for the harpsichord and organ, died in Lisbon, Portugal. During his lifetime, Seixas served as an organist at important venues such as the Coimbra Cathedral and the Royal Chapel in Lisbon where he worked alongside Domenico Scarlatti.9 Surviving reports from the time indicate that Seixas was an extremely prolific keyboard composer who wrote over 700 keyboard pieces, but only a fraction survived.10 While the cause of this is unknown, many believe that many works were destroyed in an earthquake that struck Lisbon in 1755.11 Curious to hear Seixas’s music performed on a Portuguese-style harpsichord? Listen to this recording of Seixas’s Sonata No. 50 in G Minor performed by harpsichordist Robert Woolley.

Harpsichordist Robert Woolley performs Carlos Seixas’s Sonata No. 50 in G Minor.
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Sources
  1. Marcia J. Citron, “Chaminade, Cécile,” Grove Music Online. 2001; Accessed 20 July, 2024, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000005388.
  2. Citron, “Chaminade, Cécile,” Grove Music Online.
  3. Citron, “Chaminade, Cécile,” Grove Music Online.
  4. Citron, “Chaminade, Cécile,” Grove Music Online.
  5. Stephen Banfield, Jeremy Dibble, and Anya Laurence, “Coleridge-Taylor, Samuel,” Grove Music Online, 16 Oct. 2013; Accessed 20 July. 2024, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002248993.
  6. Banfield, Dibble, and Laurence, “Coleridge-Taylor, Samuel,” Grove Music Online.
  7. Banfield, Dibble, and Laurence, “Coleridge-Taylor, Samuel,” Grove Music Online.
  8. Banfield, Dibble, and Laurence, “Coleridge-Taylor, Samuel,” Grove Music Online.
  9. Klaus F. Heimes, “Seixas, (José António) Carlos de,” Grove Music Online, 2001; Accessed 20 July, 2024, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000025354.
  10. Heimes, “Seixas, (José António) Carlos de,” Grove Music Online.
  11. Heimes, “Seixas, (José António) Carlos de,” Grove Music Online.

Banfield, Stephen, Jeremy Dibble, and Anya Laurence. “Coleridge-Taylor, Samuel.” Grove Music Online. 16 Oct. 2013; Accessed 20 July. 2024. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002248993. 

Citron, Marcia J. “Chaminade, Cécile.” Grove Music Online. 2001; Accessed 20 July. 2024. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000005388. 

Heimes, Klaus F. “Seixas, (José António) Carlos de.” Grove Music Online. 2001; Accessed 20 July. 2024. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000025354. 


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